Lab Class Tools / 00

FILM, UNDERSTOOD.

The complete film emulation suite for DaVinci Resolve.

OFX · CUDA · macOS · Windows

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01 The Method

There are two ways to emulate film. You can approximate the output, a LUT, a grain overlay, a glow in post. Or you can model the system that created it. We chose the second path. It took longer. It’s harder to market. But the moment you load it up, you’ll understand why.

There are two ways to emulate film. You can approximate the output, a LUT, a grain overlay, a glow in post. Or you can model the system that created it. We chose the second path. It took longer. It’s harder to market. But the moment you load it up, you’ll understand why.

There are two ways to emulate film. You can approximate the output, a LUT, a grain overlay, a glow in post. Or you can model the system that created it. We chose the second path. It took longer. It’s harder to market. But the moment you load it up, you’ll understand why.

02 The Chain

Lab Class Tools doesn’t give you a look. It gives you a chain. Separate plugins. Correct colour space at each step. A clear photochemical order as the starting point. You can still grade between stages, bypass what you don’t need, or reorder. The chain is the starting point. The node graph is still yours.

Lab Class Tools doesn’t give you a look. It gives you a chain. Separate plugins. Correct colour space at each step. A clear photochemical order as the starting point. You can still grade between stages, bypass what you don’t need, or reorder. The chain is the starting point. The node graph is still yours.

Lab Class Tools doesn’t give you a look. It gives you a chain. Separate plugins. Correct colour space at each step. A clear photochemical order as the starting point. You can still grade between stages, bypass what you don’t need, or reorder. The chain is the starting point. The node graph is still yours.

03 The Suite

Eight tools. One story.

Eight tools. One story.

Lab Log Shoulder
01
Lab Log Shoulder
Soft roll-off of film’s characteristic curve while the image is still in camera log.
Lab Film Neg
02
Lab Film Neg
Developed negative density and stock personality under the light you shot.
Lab Halation Pro
03
Lab Halation Pro
Glow around bright sources from scatter through the emulsion and film base.
Lab Grain Pro
04
Lab Grain Pro
Measured 16 / 35 / 65mm texture, dye clouds, push/pull, bloom — not flat noise.
Lab Film Print
05
Lab Film Print
Print stage: negative density into a positive — print stock and printer lights.
Skin Lab Pro
06
Skin Lab Pro
Finishing for faces after the print stage, without undoing the emulsion work.
Lab Match Pro
07
Lab Match Pro
Shot-to-shot harmony — matching takes the way a timer keeps a sequence consistent.
Lab Frame Pro
08
Lab Frame Pro
Theatrical framing and soft matte — always last in the chain.

04 Why we built this

Growing up watching films, I didn’t know what I was looking at. I just knew it looked like a film. There were ingredients in that image: texture, glow, the way light fell off, and I couldn’t name any of them. But I knew they were there. That’s where the obsession started. Working out what all those things actually are. The grain. The halation. The density. The physics of it. And once I understood it, I wanted those stages as real tools, in the right order, in a way that was actually accessible. So I built it myself.

Growing up watching films, I didn’t know what I was looking at. I just knew it looked like a film. There were ingredients in that image: texture, glow, the way light fell off, and I couldn’t name any of them. But I knew they were there. That’s where the obsession started. Working out what all those things actually are. The grain. The halation. The density. The physics of it. And once I understood it, I wanted those stages as real tools, in the right order, in a way that was actually accessible. So I built it myself.

Growing up watching films, I didn’t know what I was looking at. I just knew it looked like a film. There were ingredients in that image: texture, glow, the way light fell off, and I couldn’t name any of them. But I knew they were there. That’s where the obsession started. Working out what all those things actually are. The grain. The halation. The density. The physics of it. And once I understood it, I wanted those stages as real tools, in the right order, in a way that was actually accessible. So I built it myself.

05 A way in

These tools don’t just give you a look. They give you an understanding of what makes film look like film. That’s what I wish I’d had starting out. Not a preset. A way in. Can’t wait to see what people make with these.

These tools don’t just give you a look. They give you an understanding of what makes film look like film. That’s what I wish I’d had starting out. Not a preset. A way in. Can’t wait to see what people make with these.

These tools don’t just give you a look. They give you an understanding of what makes film look like film. That’s what I wish I’d had starting out. Not a preset. A way in. Can’t wait to see what people make with these.

Warren, Lab Class.

06 The offer

$49

$49

$49

/ month

/ month

Eight tools. One subscription. Checkout is not open yet.